This isn’t really a modern Giallo at all, it’s really just Giallo by association because it’s an Argento movie with a bunch of killings in it and that’s good enough for people who fondly remember him setting the Giallo template half a century ago. Of course none of this matters, what matters is has Argento managed to make a good film (because he last managed that but a quarter of a century ago) and… yes, he has.
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