Saturday, 4 July 2015


Argento succeeds in emulating the shoddy editing, stilted dialogue and nonsensical plotting of classic Giallo whilst also giving things a modern edge by using digital photography to make it all look flat and stupid.
Meanwhile Adrien Brody gives proceedings an edge of hilarity by radiating a clear, intense disdain for everything going on around him. Here's my favourite as Brody responds to a particularly woeful edit;

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